![]() ![]() The XM2000S Dynamic Cardioid was quickly adopted as the vocal/instrument go-to mic by bands, DJs and houses of worship. Yet another major milestone was passed when BEHRINGER brought their first ULTRAVOICE microphones to market. This high-precision crossover became one of Behringer’s best-selling studio and live sound products of all time before being replaced by the landmark SUPER-X PRO CX2310. Recognizing the need for a practical alternative to the high-end offerings of the day, Behringer went to work on the Company’s first 2-way stereo/3-way mono electronic crossover – the SUPER-X CX2300. ![]() SUPER-X CX2300Īnalog crossover, but now as an affordable unit, Bestsellerīefore active or powered PA systems became all the rage, audio engineers had to rely on their loudspeakers’ internal crossovers, or convert their passive speakers using expensive electronic crossovers. The ULTRACURVE included a measurement mic input and functions for automatic room-compensating EQ, as well as automatic feedback suppression. The ULTRACURVE DSP8000 provided an innovative combination of high-quality digital signal processing, which included stereo 31-band EQ with a True-EQ feature, RTA (Real Time Analyzer), line delay and peak limiting. feedback killer.Īt the same time, Behringer was also eagerly investing in proprietary design and IP (Intellectual Property). ULTRACURVE DSP8000Ī small step for Behringer, a major leap for the Pro Audio World - One of the fist digital Equalizer incl. While the MX8000 had instantly grabbed the attention of the semi-pro audio world, it was the MX2642 EURORACK Series Compact Mixers that established the new prosumer market next to the pro audio market – a transition pioneered by Behringer. EURORACK MX2802/MX2642įirst generation of our highly successful analog mixer lines The Behringer CYBERMIX was patched to the MX8000 insert points and provided automated synchronization to SMPTE LTC or MTC, for muting and fading channel volumes. Mix automation systems allowed users to integrate control over the analog mixing path with separately-produced MIDI tracks. CYBERMIX CM8000Īt the time, typical project and commercial multitrack studios were based around analog or digital tape machines that coexisted and synced with MIDI equipment and sequencers. As much polarizing as it was successful, the EURODESK instantly made people aware of the Behringer mission. The audio industry was just becoming aware that 24 inline channels of good-quality, 8-bus mixing could be had for just under USD 5,000.00, when Behringer announced the EURODESK at only half that price. The MX8000 EURODESK subsequently caused the biggest stir among bands, project studios and rental companies. Analog Flagship Studio Console (Inline Concept) ![]()
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